![]() To that end, during that time - I'll tell you a story that I don't think I've ever revealed to anyone - I was offered a movie that went on to become a very big movie. The biggest challenge was to break the stereotype of Sonny Crockett. JOHNSON: For me, I mean, I just have this blessed career, and that people, my fans and the audience out there, tend to follow me into whatever adventure I'm going on. ![]() What is it like for you as an actor to have those iconic characters on your resume and for that to be what people recognize you for? ![]() When you look at your resume, you see all of these very iconic characters. I owe pretty much my mental acuity and health on my profession, and also my downfall. In preparation, for actors, whether they know it or not, a healing takes place within you when you do proper prep, and when you're in touch with your feelings and able to identify feelings that you have that are similar to the character's feelings and that you can draw upon. Preparation takes all the work out of everything. So, for me, accessing my feelings is something that is exciting, scary, and it's always adventurous. ![]() JOHNSON: Because I've been doing it so long, there's a lot that I can fill in the blanks, and also I've got a very rich emotional well, if you will. I'm curious, for you as an actor, are you the kind of person when you approach a character that you do a lot of character work beforehand, or are you able to sit in the hair and makeup chair and then hear action, and you're that character? I think probably the shootout in the actual restaurant was probably tedious and time-consuming, and I'm real excited to see that because I thought it had a chance to be pretty good. Which scenes were the more complex ones to film? I'd worked with so many different actors who I could see right away, during series production and stuff like that, I could see right away that they weren't necessarily what we call handy, so I would limit what they actually had to do, and I would carry the rest of the action because it's like walking and chewing gum for me. I didn't think that was true until I was working with this actor. You have to sort of be in that mode because action is a different skill set than how we're trained as actors, and you're either athletic, and you have a sense and a feel for it, or you don't. It was incredible, and it's kind of like walking and chewing gum at the same time. I made a film not too long ago with an actor, who is this wonderful actor, but he just had no feel for action. It's very difficult to do action and be an actor as well. an amazing actress in that she's got some presence, and she has some good skills, very good skills. It's really going to come down to whether or not the characters, and her character particularly, resonates with the film-going audience. JOHNSON: You know, listen, I've been around a long time. Do you think there's room for this film to be like a franchise, to have a sequel or another film visiting and exploring more? I mean, she has a crazy backstory. This doesn't have to be the end for Ana and Ray. Mark Holscher, Johnson's lawyer, said the case was about more than just money - "it was vindication that he was getting credit for his ideas.One of the things I liked about the film was the ending feels like there's still more story to tell. "From the beginning, I have asked only that Rysher honor our contract, and I am so pleased that the jury agreed with me." "It was my idea, and I owned the rights in the first place," said Johnson, who established his TV stardom with the '80s series Miami Vice. The AP said that determination could mean even more money for Johnson in the coming years.Ĭheck out photos of Don Johnson from his Miami Vice days But jurors corroborated that Johnson's Nash Bridges contract made him a 50 percent owner of the series' copyright. Rysher Entertainment contended during the trial that the show lost money. The other two companies either had no comment or didn't return calls. Williams, a lawyer for Rysher, expressed disappointment at the verdict, adding: "We are ready to undergo the appeals process and are confident that in the end, today's outcome will be reversed." Johnson attended the entire trial and personally thanked the jurors after they made their decision Wednesday, according to the AP.īart H. In February 2009, the 60-year-old actor sued three companies - Rysher Entertainment, 2929 Entertainment and Qualia Capital - claiming he was owed millions in profits from the series, which ran on CBS for six seasons.Īfter a two-week trial, a jury agreed. Don Johnson won a verdict awarding him $23.2 million in profits from Nash Bridges, The Associated Press reports.
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